The novel, from the busy year for Harrison of 1984, is 461 pages long. This is divided into two books and a series of appendices. Each will be described below.
BOOK 1: This book is 204 pages long. It is the tale of a young boy captured when his prehistoric tribe is attacked by the enemy, after they have killed all of his people, including his father. It is the story of his upbringing among the enemy tribe. This is an unusual book in many ways. I must say at the outset that stories about early humans do not interest me much, nor fire up my imagination. I have read wonderful books by several authors in the Avon/Equinox series on such a theme, but only because it was part of my reading project. I enjoy the ones about first contact between arriving people from space, but not the cave man vs cave man type of book. But this novel is very different from those other ones.
First, we must re-imagine the Earth if the world shattering meteor had not struck the planet 75 million years ago. Had it missed, things would have turned out very different. this is what the author postulates. And so we have primitive, nomadic humans of about 12,000 years ago, as the ice age approaches, pushing their summer hunting grounds further and further south. They live in North America, along the east coast, while the enemy lives in a vast city in Florida.
Second, the dominant species happens to be reptilian. They have built vast cities in Africa, which are now dying from the oncoming cold, and have branched out across the ocean to Florida, where they are building a new city. And so the two species soon meet and clash, each appearing horrible to the other, and each wanting the other wiped out. The reptiles are called the Yilane, and they have advanced weapons, science, history, and a full language, using words and body movements. The humans are called the Tanu. They have tamed mastodons, and they have language, but no science and no cities. They use dug out boats for water transport, and live in portable tents. It should be noted that the Tanu started things off badly by killing the males and eggs hatching on the beach, unprovoked.
One of the reasons I don't much care for books about prehistoric man is because their entire life is about hunting, gathering, surviving, fighting the elements, and fighting one another. It is a savage way of life, perhaps one notch above the beasts, but perhaps not. Harrison does introduce the foundations of peaceful thinkers among the Yilane, but they are scorned and persecuted. They have the beginnings of art, but the artists are only worthless males, and the art and the artists are scorned. So neither species is the fun-loving type, leaving us with a rather humourless and violent tale about survival of the fittest and smartest.
Kerrick, the kidnapped boy, was 8 when he was captured, and at the end of book he finally escapes his life as a servant of the Yilane. I can see no reason for having a Book 1 and a Book 2, other than the author may have hoped to publish them as two shorter novels rather than one of epic length. If you like this kind of story, then you will enjoy Harrison's variation on a theme. He is such a fine writer, in almost any genre.
*** stars. Reviewed April 9th/21
BOOK 2: This is a direct continuation of Book 1, with no time passing between. It lasts for 222 pages. Book 1 tells the story of Kerrick's captivity among the Yilane (reptiles); book 2 tells of his freedom, and what he does with it. The book is filled with killing, as the hatred of each group for one another knows no limits, and Kerrick and his fellow Tanu Humans) are pursued endlessly by the vengeful Yilane. Although the story is well written and fascinating in its own way, it is very limited in scope. There is travel, hunting, killing, war, hardship, and, finally, a tribe of Tanu that is not nomadic. At last we come across a partially civilized group of people, ones who worship mastodons, and paint their images on cave walls.
I wish the geography of this era had been made a bit clearer. Apparently there are snow clad mountains five days march west from northern Florida, and great rivers that can't really be placed in any geographical sense in Florida. At any rate, Harrison has created part of a world that is new and exciting. He ends the book leaving things complete, but also wide open for a sequel (filled with revenge and more hatred, no doubt). Of course there are two long sequels, so come back in a few months to see what happens next. One of the Yilane peaceniks (yes, they have a peaceful group, scorned by the main group) survives, and so no doubt we might someday see peace between Yilane and Tanu. But not likely before a whole lot of more killing takes place.
***1/2 stars.
THE WORLD WEST OF EDEN: A number of short essays follow the main story, lasting for 34 pages. In addition to essays about the languages of the two main intelligent species encountered in the story, there is also a dual glossary of some common words. There are also essays on the history, science, diet, reproduction, and culture of the Yilane, and a much shorter write up on the Tanu. This is followed by an illustrated zoology of common animals. It's all very nicely done. Not rated, as the material does not have to be read, and might seem dry to some readers.
WINTER IN EDEN
Cover art by Jerry Lofaro.
From 1986 (my edition 1987) comes the first sequel to Harrison's alternate history of Earth, taking as its basic assumption that the devastating meteor strike in the Yucatan never occurred. The book is 445 pages, of which 14 is Prologue, 375 is story, and the rest appendices on the three main cultures involved in the story, and the flora and fauna of the age. One new addition to this volume is a map. Crude as it is, it informs the story well. I include it below.
Inside art, including this two-page display, by Bill Sanderson.
As a general rule, I don't much care for these kinds of stories, and would much rather have had the book set on a different planet. I care even less for nomadic primitive human stories, with war, hunting, killing, and simple living the main activities of such people. Despite my prejudices, Harrison does a great job with the story, and I applaud his fine writing. With Kerrick as the lead human character, and his intelligent and sensitive wife Armun, we can see the beginnings of moral progress, as well as the anguish over war and non-stop aggression. Like most people, they only want a peaceful and happy existence for the short time they are here.
However, Satan wants otherwise, and is represented here by the vengeful, warlike Yilane race, featuring the evil Vainte as their poster child for hate and destruction of all that is not like them. I grew very sick of Vainte and her thoughts and deeds, and I grew much more sick of them in this story. But Harrison tells more than her story here, including a new one about the Daughters of Darkness, getting settled on the shores of the amazon River. He also gives a starring role to the Paramutan, a race of people who live in the wintry north, thus breaking up the monotony of humans (Tanu) versus the Yilane (Murgu).
Each author seemed to strive towards their life's masterwork: Blish to Cities In Flight, Farmer to Riverworld, Silverberg to Majipoor, and on and on and on. Harrison had already created the Deathworld series, the Stainless Steel Rat Series, and the To The Stars Series. He obviously put a lot of himself into this project. And while I'm glad I read it, it's not something to which I would ever likely return and reread (unlike Blish, having read Cities four times now). It just isn't my thing, and I am sick of much of it. But that shouldn't take away from the great (as ever) writing by Harrison, someone to whom I will always return for good stories well told.
*** 1/2 stars. Reviewed June 11th/21
RETURN TO EDEN
From 1988 comes the third and final Eden story. The actual novel is 289 pages long, but there is also a six page prologue and a lengthy appendix, detailing the "history" of Eden. The history is essentially the same in all three novels, and I skipped most of it. There continues to be inside art by Bill Sanderson.
After Tolkien, everyone had to write a series, preferably a trilogy. Nearly every author did, and several, like Harrison, wrote many series. Silverberg, Farmer, and especially Anthony made big splashes with important series. While I much prefer Deathworld and the Stainless Steel Rat books to Eden, Harrison has trod new ground with his serious look at a different possible evolutionary outcome. The three books in this series all assume that the giant meteor never struck, and so reptiles became as important as humans. What would Africa, North America, and part of South America be like today without that devastating catastrophe that landed in the Caribbean Sea? Read and find out.
I continue to show little to no interest in seeking out books about prehistoric life. I just don't have the curiosity or interest in such goings on, though I have read many such novels, including in the Avon/Equinox series. The dinosaur image on the cover is very misleading, and there is virtually no dealings with such creatures in the story; when encountered, there are merely killed. My edition contains mistakes, as the continent of Gendasi (north America) is constantly referred to as Entoban (Africa) in a chapter or two around page 200 or just before.
I have mentioned before how sick I became of Vainte and her hatred and killing ways. Well, she's back, and in her usual form. So are all the other characters, including the most interesting Yilane, the scientist Ambalasei. In fact, she is probably the most interesting character in the entire series, with a brain and a very funny sense of humour. Her passages were always fun to read. But the rest is merely more of the same, extending the series to three books (four actually, as the first volume contains two books).
Make no mistake; Harrison has written well in this series. It's just that the subject matter does not really appeal to me. I did find the ending very weak, as we are to believe that Kerrick would have given in to Vainte, even knowing she would kill both him and his son. Even so, I applaud Harrison's efforts, though I wish they had been directed elsewhere. I cannot see me ever rereading this series (same with Silverberg's Majipoor and Farmer's Riverworld).
*** stars. Reviewed September 10th/21
THE TOURING OPTION
Cover art by Bob Eggleton.
From 1992 comes this 408 page SF novel about artificial intelligence, or, as it referred to later in the story, MI, for machine intelligence. Brian Delaney is a young genius working on AI at a private research lab. He has something to demonstrate to his boss, but during the visit to the secure lab the facility is attacked, everyone is killed, and the results of the research are hauled away. Brian is found in a locker, where he hid himself during the carnage, a bullet having passed through his brain. Dr. Erin Snaresbrook, a leading brain surgeon, takes his case, and is gradually able to restore his memories up to the age of 14. After that, nothing.
As much as it is SF, as we follow Brian's recovery from his near fatal wound until he resumes his work with his old notes,it is also a novel of espionage, intrigue, and brutal tactics used to get the research away from the US. A host of minor characters, including Sven, an MI who becomes almost human in every way by the end of the book, enrich the narrative greatly. It is also a mystery story; who committed the outrageous, murderous theft? No one knows, and no one can find out. To me, with all of the resources of the world searching for the culprits, it seems a little bit lame not to have found any trace of the criminals. But aside from this, the story is as great one. It is fast moving, fascinating, and highly believable.
The story goes international, and we sometimes find ourselves in Mexico (twice), Ireland, Switzerland, Sweden, and then back to the US, before going back to Switzerland one last time. Brian is always the central character in the story, and we view things almost entirely from his perspective. Of course he is a damaged person, and even though he regains his mathematical prowess, he gradually begins to lose his humanity. Part of this loss is caused by his constant work with AI, where emotions have no play. He stops learning how to be human even as his main machine learns how to become more human. The other reasons why he loses his emotions have to do with his rough childhood, as well as what happened to him during the robbery.
Thus there is no happy ending, though most questions are resolved by the finish. The book, like most of Harrison's best writing, is fast-paced and intelligent, and would be well suited to non SF readers as well as core SF fans. The character Sven, the most advanced MI ever conceived, is only of of the highlights of this great novel. Highly recommended. And despite the year of publication, it is amazing at how up to date the story remains.
**** stars. Reviewed October 12th/21
BILL THE GALACTIC HERO:
THE PLANET OF THE ROBOT SLAVES
Cover art by Michael Kaluta and Steve Fastner.
From 1989 comes this 236 page silly story, starring everyone's favourite army private. Even the lovable little Chingers are back, trying futilely to spread peace throughout the galaxy. Vol 1 of a series, this is the only one reportedly written by Harrison; the others follow outlines he wrote, but were written by others. This is the only volume that will appear here. In addition to the story, there is an intermission featuring 15 pages of robot doodles by Kaluta, and a lovely pin up of Deja Vu.
A flying dragon attacks the planet where Bill is garrisoned, and he and a few other stalwart military types, including a female, set out to solve the mystery of who is attacking and why. In the course of his adventures, Bill meets and aids Major Jonkarta from Virginia, now living in Barthroom and searching for his lost love, Deja Vu. Edgar Rice Burroughs isn't the only writer who gets lampooned, and some of the material is truly funny. Deja is a total mega babe, and when she makes a pass for Bill, Jonkarta wants revenge. By the end of this weird tale we have also become involved with Roman legions and King Arthur's knights. And then comes Harrison's tribute to Wizard of Oz.
3 pages of 15 that Kaluta drew as bonus material for the book.
The true heart of the book, as with the original, is poking fun at life as a G.I. Harrison's writing is at its best when volunteers are needed for assignments, or when Bill is accused of treason for believing that the 7" tall Chingers really do want only peace. Keeping the war machine active is the main goal of the military, and that will never change with any super power on Earth. All silliness aside, we are constantly reminded of why there never will be world peace (as if we needed reminding). So laugh out loud while you can, but give your head a reality shake at the same time.
*** stars. Reviewed November 8th/21
MEDIEVAL ENGLAND SERIES
VOL 1: THE HAMMER AND THE CROSS
Cover art by Kevin Johnson.
Harrison is master of the humourous SF novel, as well as one of the best at creating highly readable series. Deathworld, The Stainless Steel rat, To The Stars, Eden, and now this one, a viking saga. Harrison is also no slouch at historical fiction, as we saw with his Stonehenge novel, the first truly logical and believable work I have ever read that explains how and why it was built. The Hammer and the Cross is from 1993, and is a whopping 471 pages long. It was written with assistance from John Holm, alias Tom Shippey. I am a fan of Viking epics, and have enjoyed those by H R Haggard and E R Eddison, as well as movies like The Long Ships and The Vikings. I have visited Denmark, including the Viking Ship Museum at Roskilde. So call me a fan. I like the fact that this huge novel is broken into 3 nearly equal sections, as the young male hero advances in life from a serf to an important leader. I will talk about each section individually.
Thrall: The first part is 146 pages long. The location is the northeast coast of England, and the year is A.D. 865. Wary people have established permanent lookouts for raiding Viking ships. Before 3 pages are done the action begins, as two hapless Viking ships are about to land against their will on the shores of hostile territory. The watch gives the alarm, and soon we are witness to a battle, the first of many. The story soon shifts to the vantage point of Shef, half English and half Viking, something that will cause him both hardship and good fortune in his active life.
Inside map and art by Bill Sanderson. East is at the top, with Britain at lower left and the Mediterranean Sea cutting up the center. The finger at the top points to the Holy Lands.
Events conspire to make Shep leave his village, setting out to rescue the girl he loves, recently captured by a party of Vikings seeking revenge for the recent destruction of their two ships and its leader. Shef is a blacksmith, and falls in with a group of Vikings who follow the old Norse religion. It soon follows that he is able to see future events, though early on his does not recognize his powers and thinks them merely strange dreams. Shep has wormed his way into the Viking settlement on the English shore, but he has no way of contacting his girlfriend, now a slave to one of the Viking leaders. When the English attack the Viking encampment, Shep sees his chance to run away with her. But like all plans, this one has a few kinks in the road. They escape, but he is recaptured and brought back to be punished. But his religious Viking friends extend themselves to save his. However, he must still pay a severe price for kidnapping the girl, who belonged to the leader.
There is enough action in this first section to constitute a full novel, and several movies. Harrison is a great writer, superior in most ways to Silverberg, Piers Anthony (of late), and all of the pulp writers like Tubb and Bulmer. His only equals in my present Avon/Equinox stable of writers I am still reading is Jack Williamson, and perhaps Michael Moorcock. Barry Malzberg is in a universe all to himself, and cannot really be compared to anyone else. Pages fly past with Harrison, even in his Eden series, whose themes I was not particularly interested in. So I am hooked on this novel, and can't wait to get to the second section.
**** stars.
Carl: The 2nd part is 157 pages long. We have seen how Shef is part English and part Norse. Now we get more of his inner seeing visions, which not only foretell what will happen, but what has happened. The main Viking army besieges York, but Shef's hard work with his machines, and the bravery of the men who attack the walls, are undone by Ivar's making peace with the priests inside the walls, who allow them to enter just as Shef's men break through. A schism develops between the four cruel brothers who have basically led the men till now, and Shef's men, the men of The Way, or those who follow the old Norse religion. The second part continues with action, strategy, battles, hidden and buried treasure, treachery, and lust for gold and silver. But underneath it all is a sense of forthcoming civilization, a lessening of the cruelty that has been seen up till now. Shef has earned the right to become a Viking warrior, and by the end of this section he has become a Jarl, or leader. The English king hands him Norfolk to govern, but he must cease and desist raids on the rest of England, and defend the king if required. Shef still has much to overcome, including his jealous half-brother, who has stolen his woman, and the four brothers, currently sitting in York with a much reduced fighting force. And the Christian priests are non too happy with him, either. I am looking forward to the concluding section.
**** stars.
Jarl: The final section is 172 pages long. Shef learns a new way to fight, and continues to search for solutions to problems using a combination of old and new knowledge. His visions increase in frequency and length, and might be the only weak link in the novel--I think they are overdone. However, Shef takes on Ivar's army, and then the entire Frank army, sent by the Pope to stop the nonsense of giving church land to freed slaves. The Catholic church takes a beating in Harrison's history, as well they should. The awful truth about the church, popes, and priests has been exposed in many different times, places, and situations. Yet many people today still follow it, either not aware of the truth and hypocrisy, or don't really care. Let me put it this way: if you need a massive cathedral, with unimaginable wealth behind it, if you need priests, bishops, cardinals, a pope, ridiculous rules to follow, and a book that is 2,000 years old at best to find your god, then I submit to you that you will never find him. While Harrison's history takes a left turn at Hastings, everything written here is based on facts, accurate down to the last detail. This is a fascinating novel, with much more to come.
**** stars. Reviewed January 11th/22
VOL 2: ONE KING'S WAY
Cover art by Kevin Johnson. Interior b & w art by Bill Sanderson.
From 1995 comes part two to Harrison's vast Viking epic, lasting 470 pages. There is a feeling of great relief when a reader comes to the end of very long novel, especially and adventure novel, and especially one by Harrison. Harrison is a reader's writer, able to weave a complex story line together, spinning it out in an endlessly fascinating way, until at last, in the final pages, there comes the much anticipated climax and resolution of the conflicts that have besieged its hero. The action this time swings to the far north, to northern Germany and the Scandinavian countries. Again a map is provided.
The Tor edition contains a map, along with 6 or 7 small illustrations in the text, done by Bill Sanderson.
Shef starts out with his newest type of ship to battle the inevitable Viking invasion of England. With new catapults, the enemy ships are routed without any hand to hand combat. However, King Shef and his ship end up grounded in the Ditmarsh, a desolate and nearly uninhabited area. Thus begins Shef's long, circular journey through the cold and wintry north lands. Adventure follows adventure, and at times the book reads like a Norse saga combined with Homer's Odyssey. Friends and enemies are met along the way, and the landscape becomes bleaker and bleaker, as does the climate.
There are battles, hunts, strange human-like creatures, visions, prophecies, and more hardship than any modern person could ever imagine. Harrison piles it on page after page, yet we never feel overwhelmed by the epic; rather, we feel we are part of the expedition as it carries on through extreme cold, winter storms, battles with enemy tribes, and near starvation. Though there are three story lines that eventually converge, Harrison focuses most of the book on Shep and his adventures, glancing across from time to time at the main Viking threat, the three remaining Ragnarsson brothers, and the militant Christians that are trying to conquer the north, as well as regain the spear that pierced Christ while he was on the cross. Mixed in with all this are Shef's visions and prophecies, which include scenes with Odin and his minion gods. We are given given a vision of Christ's crucifixion!
The Kingdom Oak, which held human and animal sacrifices in Uppsala.
Inside a troll's smoke hut!
The story is brutal in many places, with little in the way of humour to break things up. But everything feels right, and the two books read so far in this trilogy have been a wonderful and unique experience. As much as the story is focussed on adventures and battles, it is also a fascinating read because of all the inventing that goes on; there are new and better crossbows, new and better battleships, new and bettor armour, and even vast improvements in water and wind mills. Highly recommended, but read book one first (see review, above).
**** stars. Reviewed February 8th/22
VOL 3: KING AND EMPEROR
Cover art by Gary Ruddell.
From 1996 comes the 467 page concluding volume of this fascinating alternate history tale, one where Christianity does not dominate in England, and instead an open minded questioning and learning environment spreads across many European lands. How's that for fantasy? Harrison really pulls off a tour de force novel, the best of the three, and a fitting and very fine conclusion to this remarkable series. Harrison's views on religious dogma and religious books such as the Bible, Talmud, and the Koran are enlightened and worth thinking about. A lot. Imagine if religious people (and there are very few of those) took the best things not just from their books, but from other sources, too. Imagine if people were not persecuted for holding views that differ from the church, and instead were encouraged to add to the body of thought and knowledge already there. As the author states several times, he is not against Christianity or Islam, only the church and the people who wish to control others to gain power over them. There is no doubt that Christianity in its earliest days (and even much later) was a barbaric and greedy bunch of bishops and monks out to acquire land, gold, silver, and other valuables. Very few of them were real Christians.
The scene in volume one was largely England. The scene for volume 2 was mostly Germany and Scandinavia. In volume 3 the action shifts to the Mediterranean Sea, beginning at Gibraltar and ending in Rome. Besides the battles and the religious thread that winds through all of the books, there is also the one of innovations and inventions, which in volume 3 include flying! Sadly, there are no interior drawings as in the first three volumes. King Shef is pitted against the German Emperor Bruno. Both are wily leaders with intelligent advisors and strong and brave armies. The battle scenes are realistic, strategic, and real page turners. I read the book in 3 1/2 days, with its small printing, and no new pages used for the next chapter. It is a long read, but most of it flies past. I still there are too many visions and dreams in the story, and these were the only time the books slowed its pace for me.
The entire series is highly recommended to readers, but historical buffs will get more out of this than casual readers. As an alternate history, one that might have happened, it is unmissable. Though all three books are terrific, the 3rd one is the best of the bunch.
****+ stars. Reviewed May 10th/22
STARS AND STRIPES TRILOGY
STARS AND STRIPES FOREVER
Cover art by Dennis Lyall.
From 1998 comes this 345 page novel about a possible different outcome of the American Civil War. Harrison, one of the best writers of SF and adventure fiction, has outdone himself in this fascinating tale of 1861, with just a few differences to what actually occurred. Instead of Albert, Queen Victoria's husband, settling a touchy matter with diplomacy as happened in actual history, Harrison has him die three weeks earlier than he did, from typhoid fever. Which means he was not there to calmly settle a dispute between England and America. With hotter heads now in charge of the British Empire, they declare war on a ravished America, and promptly invade America both from Canada and from the south, in Mississippi. This is amidst the Civil War, and just after the battle of Shiloh, where over 20,000 Americans killed one another. But a funny thing happens.
When the South is invaded by British redcoats, and the town of Biloxi is burned and the women ravished by a maddened British battalion, the North and South join forces to teach the British not to mess with America. And so we have a rousing story of historical accuracy, with Lincoln as president now uniting the country against a common enemy. Before the end of the novel, which is packed with adventure, politics, and good old fashioned diplomacy, even French Canada has joined the Americans in ridding themselves of the British. It's fun to imagine what might have been, but Harrison takes this imagination exercise to a much higher level.
This is his third trilogy based on slightly different events transpiring to drastically change our present state of being, and promises to be every bit as good, or even better, than his previous Viking one. Like those other books, this one has many small interior illustrations, this time by David A. Hardy. A great read, especially for history buffs. I am not a fan of historical fiction, especially when it comes to events surrounding a war, but this one kept me turning pages till the very end.
**** stars. Reviewed July 9th/22
STARS AND STRIPES IN PERIL
Cover art by Tom Freeman.
The 2nd volume of this action packed wonderful fantasy series is from 2000, and my edition lasts for 342 pages. In the last part we left the British soundly defeated and chased out of the Americas, including Canada. In the 2nd part, the British are out for revenge, and they mean to have it. Needless to say, the poor British do not fare well in this series. I wonder why?
The British are in southern Mexico, building a road from the Pacific to the Atlantic. Why? Well, to enable troops from India etc. to cross easily to the Atlantic side. Why? So they can attack the USA as payback for their previous sound defeat, and reclaim their cotton trade with the South. And other reasons. Harrison ties in a lot of actual history and historical figures in this book again. He includes the Mexicans, who are under the yoke of the French and Austrians and seeking their freedom. And, even more importantly, he includes the Irish, under the yoke of the English. In a short afterword, Harrison explains what life was like for Irish Catholics under British rule, and it ain't pretty. The author lived in Dublin, and so likely had an earful of history to fall back on.
America's favourite president is back, and so are all the legendary generals. They are growing worried about a possible British attack, and are trying to think their way out of the predicament. There are two choices: they can sit back and wait for the attack; or, they can attack first. But where? The troublesome Mexican stronghold is too well defended to attack it without huge losses of life. Well, why not Ireland? An American attack would not be expected, especially if the American navy pretended to be heading around South America to attack the Pacific side of the British stronghold, but once out of sight of land turned their noses northward towards the Emerald Isle.
This is such a fun book to read, unless you are English and still consider the Americans to be nothing more than cheeky low life. The depictions of Queen Victoria are quite priceless, especially the final one. Harrison has outdone himself so far in this series, his third major trilogy where he plays with actual historic events and changes one or two minor points, thus enabling an entirely different result than what actually transpired. Highly recommended, and fun to read.
**** stars. Reviewed September 9th/22
STARS AND STRIPES TRIUMPHANT
Cover art by Dennis Lyall.
From 2003 comes the 298 page conclusion to the imagined war between Great Britain and the United States. Harrison has written a series that undoubtedly enrages most of the English, but as he had lived for many years in Dublin, he undoubtedly knew a bit about Irish and British history. In Volume Two he managed to free Ireland from the yoke of English rule, and he must have sold a lot of those books in Ireland. In Volume Three the Americans are forced to take the fight right to London and Buckingham Palace. With a dream team of Generals including General William Tecumseh Sherman, General Ulysses S Grant, and General Robert E Lee, backed by weapons so new and destructive that nothing could stand up to them on land or at sea, and with a new lightning strike technic that not only wins battles quickly but does so with many fewer casualties, this is a win win situation for all. The most difficult thing for English readers to stomach might be the capture of the Queen, and her subsequent abdication to Belgium. But it's all good fun and fantasy to the rest of us. Even Scotland manages to free itself and get its own parliament! This happened to Canada in Volume One, and Mexico in Volume Two.
Of course the downside of the US Constitution was not known to Harrison back in 2003, but with Trump nearly pulling off a coup d'etat in 2020, and a nation divided once again as much or more so than before the Civil War, things aren't as rosy in the land of democracy as they once were. And also, with the recent death of Queen Elizabeth and Charles now King, no one knows if the Great British Empire will remain standing in a few years' time. And with privilege and money still buying favours in the UK, and Scotland still under English rule, there is still work to do there.
What Harrison has provided, however, is a clear blueprint that, if followed by most countries, would see vast amounts of poorer classes of people having more of a say in their government, which is not a bad thing. His writing is certainly heavy-handed against the British, but as I said earlier he did live in Dublin, and no doubt got earfuls of horror tales about how the Irish were once treated. So he decided to give a little back. I'd be curious to read reviews of this series by English critics (as well as Irish and Scottish). At any rate, it is a fun series to read, though this final book was not as strong a narrative as the first two. Recommended for fans of well written alternate history.
*** stars. Reviewed October 8th/22
Page proofread on April 9th, 2019