Monday 15 August 2016

The Avon/Equinox Rediscovery Series #4: Rogue Moon, By Algis Budrys


12 books by Budrys reviewed in this blog.  This completes the SF reviews of Budrys' work.
 
Foreward to Book 4 Review:  It is going to take me a long time before I get to read and review all the books  in this series.  I have been seeking out and reading other volumes by the first four authors, especially Farmer, and it is going to take a while before I am ready to tackle Robert Silverberg, who is on deck.  However, I am reviewing each non-Rediscovery novel and short story that I read by the first four authors.  Next up is a book of short stories by Kornbluth, edited by Frederick Pohl.  I am loving these digressions!  I am also trying to read other books, such as a biography of Brahms, and a 1905 Baedeker Guide to London.  I will get the job done, just be patient.

Rogue Moon

 Cover art by William Maughan.  Budrys' 5th novel.

Algis Budrys (1931-2008) was a Lithuanian-born American SF writer.  Rogue Moon was nominated for a Hugo award.  One of his novels, "Who?", was made into a film starring Elliot Gould and Trevor Howard!  Another fabulous SF writer from the golden age that I had never heard of before now.  He wrote many novels and short stories.  Hopefully you will hear about some of them here.  Be patient. 
  
   Wow!  After reading James Blish's cover blurb, I have been itching to read this novel.  I must say that I couldn't put it down once I began, and read it during two fairly busy days.  Budrys, in his fifth novel, has really written two books in one, and they occasionally cross one another.  The first one is a hard science fiction novel telling about humans trying to uncover the deadly secret of an alien labyrinth discovered on the lunar far side.  The ingenious method of exploring the labyrinth is carefully and fully explained, down to the last detail.  As I said, hard science fiction.  The second story has to do with human relationships.  Well over half the novel is conversation between lead characters, four male and two female.  Most of these characters are fairly lost as human beings, and have failed to face up to their lives and to themselves.  The fact that one of the main characters (and later, two of them) is split into an L version of himself, which stays behind on earth, and an M version, which visits the alien structure on the lunar surface, does not simplify the discussions and the relationship problems.

      I found both stories quite fascinating, and eminently readable.  If you crave an action yarn, this is not for you.  It is heavy on talk and science, and interpersonal relationships.  The characters are all interesting, however, and I never experienced a dull moment anywhere in the novel.  The science fiction story is certainly a wonderful variation on Arthur C. Clarke's much earlier tale, "The Sentinel."  Budry's story, too, could have been a short story, if the human element had been minimized.  We would then have had a pretty decent short story.  However, Budrys has added a heavy dollop of something difficult to find in science fiction novels; humans struggling with themselves as much as with their science problems.  This really makes the story three-dimensional and much richer.

     The novel was first published in 1960, so it is pretty logical that it would have to be a male that gets to explore the labyrinth and try to solve its puzzles.  Imagine how futuristic it would have been, however, if the main explorer had been female.  It would have added a huge level of complexity to affairs, which I'm not even certain that one of today's great authors would find an easy task.  That's one of the problems with reading SF from the golden age; it's pretty heavy on the male leads and their exploits.  Not that Budrys treats his two females badly.  In fact, their conversations and personalities are pretty amazing!  Both women are very strong, very intelligent, but in the end they are trapped by the times, and become catalysts for the males.  Things could have been very much worse, though.

      In the end, this is a brilliant story, and still worth rediscovering.  It is a novel that will not easily be forgotten, and possibly even one that will call me back to it in a few years.  I hope so.
**** stars.  Reviewed August 16th/16
                                                                                                                                                                   

False Night

The book originally sold for 25 cents!  Cover artist unknown.

I bought this novel thinking it was one by Budrys I had never read.  Instead, it turned out to be the original 1954 edition of Some Will Not Die (see below).  Many early SF stories have convoluted histories, and this novel is no exception.  It is less than half the length of the 1961 reboot.  In fact, the original novel was only five chapters and 92 pages long, and still forms the core and best part of the story.  Chapter Six was published separately in Galaxy, and followed by Chapter Seven, where this story ends.

It is not my intent to track down different versions of stories; I prefer the one last updated by the author.  However, having unknowingly purchased False Night, I decided to reread it (the full story was read last October).  The first few chapters are still among the best storytelling I have ever come across, and reading the bare bones version, without the unnecessary framing device, was just as good as the first time.  Highly recommended.
**** stars.  Reviewed March 10th/17 See also "Some Will Not Die," below.

Some Will Not Die

Budrys' first novel is from 1954, reworked in 1961.
The original is called "False Night."

     This is a grim, uncompromising look inside the USA after a worldwide plague has killed off 90% of the population.  This is not a romanticized view of life after the fall of civilization, but a rather well thought-out version.  It is bleak and unrelenting, even as progress is slowly made towards reestablishing some semblance of human relations.  There is a lot of killing, some of it appearing needless but necessary under the circumstances.  As the urban survivors, mostly individuals at first, hunt for food, shelter, medicine and sanity, it's kill or be killed.  This is a reworked version (1961) of Budrys' first novel (False Night, 1954; then expanded as Ironclad, also 1954).

      Budrys' views are not only plausible, but the initial scenario is the one most likely to happen in such a situation.  How long things remain at this primitive level depends on many things.  Here in New York City, a young man initially teams up with a young woman, then eventually they team up with a family living next door.  Slowly but surely the whole building comes together, and then it's building versus building for a while, until a neighbourhood is pulled together, and so on.

     It is a fascinating, and sometimes heart-stopping journey back to civilization, and seeming setbacks are merely an excuse for events and progress to careen off in a new direction.  At nearly 300 pages, Budrys does not tell a straight forward narrative, but rather picks up the story now and then as progress is made.  And though new characters come into play, the main ones are related to the first two men who joined their families together, being their offspring or direct relations.  The only character that does not fit into the NY stories is Joe Custis, though his adventure may (or may not) include a meet up with one of the original two men (Berendtsen).

     This is the first novel I have read by Budrys outside of the Avon/Equinox novel, reviewed above.  I am happy to have discovered this author, and look forward to other works by him, many now sitting on my shelf.  Some Will Not Die is a book I am very likely to reread, and a book I would highly recommend to others.  
**** stars.  Reviewed Oct. 4th, 2016.

WHO?

Cover art by Bob Giusti.  Budrys' 2nd novel.

     Budrys' second novel first appeared in Fantastic Universe, April 1955.  He used the name of William Scarf, and the story was called "Just Around the Corner."  In 1958 it was greatly expanded to the present version.
Original appearance of Who? from 1955.  Budrys used a pseudonym.

     This is a cold war story, with Russia capturing a top American physicist who is badly injured near their border.  His body needs to be completely rebuilt, and he ends up looking part android and only part human.  The Russians hope to learn the secret of the project he was working on, and after saving his life and putting him back together, try to hang on to him for interrogation as long as possible.

     The Allies get him back after a few months, and have to determine a) if it is really the same man; and b) if he spilled the beans on the project.  Because of his appearance it is virtually impossible to tell if it is really him, and the main part of the story is largely a detective yarn. 

     The story is told partly in flashback and partly in present time, and seems to work exceptionally well.  As a result, there are two endings, both surprise ones!  If I had purchased the pulp magazine version in 1958 I might have been disappointed in the fact that this isn't really a SF story at all.  No one really cares how the Russians did what they did to keep Martinson (the hero) alive.  The main thrust is over the man's identity.  Who is he?  As such it reads more like a cold war tale than a true SF one.  However, Budrys has written a taut, streamlined narrative, and he gives us a wonderful impression of a young boy growing up as a scientific genius.  The part where he searches for a girlfriend is particularly well written.

     In 1974 Who? was made into a motion picture starring Elliott Gould.  I am trying to track down a print, and will review it here if I find one.  A very good novel!
*** 1/2 stars.  Reviewed Feb. 1st/17
 

Man Of Earth

 Cover art by Powers.  Budrys' 3rd novel is from 1958, reworked in 1965.

October 1956 Issue

     Budrys' 3rd novel was first published in a shorter version in Satellite SF magazine in October, 1956.  Two years later an expanded version was published by Ballantine, for 35c!  The dedication says "To James and Virginia Blish, for encouraging the competition."  This edition is 144 pages long.

     Whereas Budrys' first novel is an undisputed masterpiece, this one falls quite short of the mark.  It barely qualifies as SF, using Pluto as the main setting, but a Pluto that seems rather short of description and pretty much like earth.  One of its satellites has been set ablaze and acts like a mini-sun.  The settlers are pretty much forgotten by people of Earth, as are the settlers on Venus.
 
     The plot revolves around Allen Sibley, a wimpy man who finds himself in deep financial and legal trouble on earth.  He needs help from a company that gives people new identities, including new faces, bodies, minds, fingerprints, skin--the works.  They take his money and ship him off to Pluto.  He joins the military, a brutal organization that kills as many men in the training program as it graduates.  Three quarters of the book is about his new persona--Sullivan--and his training.  If you are into boot camps and military training, then you will enjoy this book much more than I did.

     The master plan of the leaders of Pluto is not revealed until near the end, and the story stops just as, in my opinion, the good bit is ready to begin.  A sequel would have been nice, as this entire book serves as the set up for a good series.  Sullivan is going to have some wonderful adventures, but we will never know about them.
** 1/2 stars.  Reviewed Jan. 9th/16

Falling Torch

 Cover art by Wayne Barlow

     Budrys 4th novel is from 1959, reworked in 1990 with a new chapter inserted.  Its 211 pages go by quickly, mixing politics, action, and numerous very long soul-searching soliloquys.  Budrys is interested in what makes a great leader, one capable of leading an occupied planet to freedom.  It is not really a SF novel, as there is very little science.  Michael Wireman was born on a spaceship escaping earth with his family, arriving at the Centauri system when he was one year old.  His father was President, and tries to keep the Earth government alive on a different planet, after Earth is invaded by aliens (who are not very alien.)  Though Budrys says this is not a parable of the Eastern bloc countries after WW2, it's not hard to see the similarities.

     Budrys gives a good account of himself here, and the added chapter (7) does add a much needed event missing from the first version of the story.  While there is some very good action, the novel mostly deals with Michael's inner struggle, as he comes to realize how natural he is at leading men, despite his grave misgivings about his value.  Though it is a pretty decent novel, once again it barely qualifies as SF.  Rogue Moon is really the only real SF story so far in this exploration of the author.  
*** stars.  Reviewed Feb. 24th/17 

Unexpected Dimension

 Short story collection published in 1960.  The volume is
dedicated to Frederik Pohl.  Cover design by Blanchard.

     Of course I know that I could never have collected all these old, wonderful books in the days before Amazon and Abe Books.  Getting hold of these volumes in local used bookstores alone would have been impossible.  I still try hard to purchase whatever I can at local bookstores, of which John King Books in Detroit is indeed king.  Sometimes the books, like this one, are so fragile and dry that I am afraid to read them.  This book has seven stories by Budrys from the 1950s.

The End of Summer is from 1954, and is 27 pages long.  It is an advanced piece of writing, and reading it twice will not hurt one's understanding of events.  Thanks to one man saving the human race on a very significant date back in 1973, things ten thousand years later aren't exactly peachy.  For one thing, due to the fact that human brains are constantly being repaired by a special protective radiation blocking beam, they are no longer capable of long term memory.  What happened yesterday is not remembered tomorrow.  This story would make a good Doctor Who adventure!  It involves some time travel, a boy and a dog, and a man in search of his past.
*** stars. 

The Distant Sound of Engines is from 1959, and is only five pages long.   On his deathbed in a hospital, an alien tries to leave some of his legacy to the man in the bed across from him.  Then that man in turn tries to leave some of himself with the new patient now across from him.  A bit depressing.
*** stars.

Never Meet Again is from 1957, and is 16 pages long.  A German professor experiences life in an alternate version of Earth, after leaving the one he grew up in where Germany won WW2.  Sadly, there is no improvement in his prospects when he arrives in the world where Germany lost the war.
*** stars.

The Burning World is also from 1957, and at 37 pages is the longest in this volume.  It's along the same lines as his False Night, from 1954.  In this scenerio, peace has been achieved and freedom given to all.  The problem with such accomplishments is the type of young person that this type of society breeds.  With armies and wars abolished and virtually impossible to undertake, a young upstart wants to form an army anyway, to take care of a problem group in the northwest sector.  Good writing, with many opportunities for discussion within a reading group.  
*** 1/2 stars.

First to Serve is from 1954 and is 18 pages long.  Two engineers build a perfect soldier robot for the armed forces, but it comes with a few drawbacks that cannot be left out of its design.  This is a great robot story, one of the best.  I can imagine John Sladek coming across this at some crucial point and having a Eureka moment.  Highly recommended.
**** stars.

Go and Behold Them is from 1958 and is 22 pages long.  It is an Adam and Eve story that reminded me a lot of James Blish's writing.  A pair of crashed astronauts is found by a search team, on a most unusual planet.  Quite a good story!
*** 1/2 stars.

The Executioner is from 1955 and is 36 pages long.  It's a tale of justice in the future, which is a mix of the old west and a religious inquisition.  A Judge Roy Bean type follows the law religiously (ha ha), but seems to find a lot of guilty verdicts.  This was my least favourite story of the series, though it is pretty good.
** 1/2 stars.

Budrys' Inferno

 Short story collection from 1963.  Cover artist possibly Richard Powers.

There are nine short stories presented here, as well as a two-page introduction by Budrys.  All stories are from the mid-to-late 1950s, and all were previously published in various magazines.

Silent Brother is from 1956, first published in Astounding SF Magazine.  It is 16 pages long.  I enjoy reading about the various ways aliens might be able to invade Earth.  The first Earth expedition is just back from the Centauri system.  The four astronauts have brought something, or someone, back with them.  This is a very neat little mystery story.
*** stars.

Between the Dark and the Daylight is from 1958 and is 14 pages long.  It is pretty much a SF horror story, along the lines of Alien.  A spaceship carrying humans crashed over 400 years ago, and the ancestors are trying to deal with the horrible creatures that are continually trying to break down their shelter and kill them.  One man oversteps his authority in order to deal with the situation.  This is a pretty intense story, and very much in the tradition of Harrison's first "Deathworld" novel, which came out two years later.
*** stars.

And Then She Found Him is from 1957 and is 17 pages long.  An unstoppable shoplifter is tearing apart a community.  This is one of many short stories from the 1950s that would have made an excellent Twilight Zone episode.  A woman can make people want to give her things, and then immediately forget she was there.  Only one person has a chance to stop her.
*** stars.

The Skirmisher is only 5 pages long, from 1957.  Though it proposes an interesting concept, it doesn't go far enough with the explanation, or motive, behind the killer's actions.  Also, with a dangerous person such as this, would the Sheriff only send out one man to capture him?
** stars.

The Man Who Tasted Ashes is also from 1957, and is 14 pages long.  This is another cloak and dagger tale, with an ending that again is too abrupt and too unsatisfying.  Aliens attempt to start World War III.
** stars.

Lower than Angels is from 1956 and is 30 pages long.  I read it just before turning out the lights and going to sleep, and it actually gave me something to think about as I drifted off.  It is a story of first contact, as an Earthman confronts a primitive society.  Things start off badly and get gradually worse, as the people believe him to be a god.  No amount of dissuading them helps his cause, as he struggles to convince them that he is just a man, perhaps with a little more knowledge and technology.  It is a problem worth considering, as when he leaves they are likely to severely alter their religious beliefs afterwards.  I liked this mostly gentle story of two cultures meeting and finding uncommon ground.  Recommended.
*** 1/2 stars.

Contact Between Equals is from 1958, and pits a blind man with the brain of a Sherlock Holmes against his own unfaithful wife and a deceitful doctor, who have been holding a prisoner.  This is a great 14-pager that (yet again) would make a great short film or TV episode.
***1/2 stars. 

Dream of Victory is 26 pages long and is from 1953.  It's basically the story of an android driven to alcoholism by the fact that he cannot have a child.  It doesn't help that androids are going out of fashion and there are fewer and fewer jobs for them.  It is far too cynical and dark for my tastes, though it certainly seems to correctly catalogue the actions of an alcoholic.
** stars.

The Peasant Girl is from 1956 and closes out the volume at 18 pages (total length of book is 160 pages).  A curmudgeon tries to be as grumpy as possible when his kid sister is abducted, to become the wife of an alien-type of human.  It's a good story, and not that complicated.  The ending is clear, clean, and optimistic, despite all the pessimism in the story.  It makes me sorry that woodworking isn't offered in schools any more.
*** stars.
Reviews completed May 19th/17

The Amsirs And The Iron Throne

Cover art by Frank Frazetta

Frazetta's painting for the Budrys novel.

 First publication of the novel.

     At 160 pages, this fascinating story is an easy and quick read.  The novel is divided into three distinct sections.  The first part takes place on a red desert planetHunters, called Honors, are part of the elite society, especially after they have made their first kill of a fast, intelligent, and formidable bird-like creature.  Honor White Jackson is on his first hunt as we join the story, already in progress.

     The second part takes place at the encampment, or "thorn" of the bird creatures.  Jackson discovered something important on his hunt, and he cannot live with the knowledge.  So he gets himself captured, leaving behind his own people.  As a prisoner of the Amsirs, Jackson is given a job--he must open a sealed door that has puzzled the bird creatures forever.  He opens it.

     Thus begins the third and final part of the story, where Jackson must adjust to a new kind of life.  It is a very difficult transition, and things do not go smoothly.  It probably never will go smoothly, knowing Jackson.  

     The book is pretty serious during the first part, but becomes pretty amusing in the second part, before returning to being more serious in the final part.  I enjoyed meeting the doctor and Susiem.  Even Ahmuls grew on me after awhile.  I must admit that the story went off in a direction I was not expecting at all.  Funny how authors are like that; they can't seem to finish a story the way I would.  I really enjoyed this book, and wish it could have been a bit longer.  It was expanded from its pulp origins for the Fawcett World Library edition I read (published 1967).  This would have made a good short series, with plenty to work with.  Pity.
***1/2 stars.  Reviewed June 15th/17

Michaelmas

 From 1977.  Cover art not credited.

First, shorter version of Michaelmas, from 1976.

When I reviewed the Ballantine Adult Fantasy Series (see link, left), edited by Lin Carter back in the day, I would always come across stories that were quite suitable for children. But then I would come across some truly adult writing (the novels of James Cabell come to mind), and I would feel refreshed that there really were fantasy novels only for adults.  And so it goes with my Avon/Equinox project.  Many of the books I read and review here are aimed at teens or early college students.  So it is gratifying to come a cross a SF novel that is unequivocally for adult readers.

Mr. Michaelmas is a top reporter, and the most important man in the world.  He has as his sidekick the world's most sophisticated and universally wired tool humankind has ever seen.  Domino is hard wired to Michaelmas's brain, and feeds him continuous news of events happening in the world.  These events can then be manipulated by Domino under Michaelmas's orders.  We are given virtually no information how this power came about; it just is.  The story takes place in the 1990s, as humans are about to venture to Jupiter, for mining purposes.  Someone or something does not want this to happen.  People suspect the Russians.  It takes a long time for Michaelmas to get at the truth, but he does.  Along the way we are kept entertained by some very good writing.

To enjoy this book fully, one must suspend a lot of belief.  We don't need to continually know how things are done or manipulated, or even why much of the time.  It would be like trying to figure out how The Enterprise can travel faster than light.  Just accept that it can, as there is no logical scientific explanation that would satisfy critical minds.  Reading the book in 1977 would have required much more suspension of belief, as now in 2017 (what a futuristic sounding year!) we (or someone) pretty much has the same capability.  Budrys was far ahead of his time when he wrote this thriller.

It might seem a complex story to some, and I had to reread several pages.  Michaelmas talks to Domino, he talks to others, he remembers other conversations and events while talking to Domino and others, and he thinks to himself, sometimes all on the same page.  Still, it can all be unraveled by a careful reader.  The rewards are great if you can follow the prose.
One of my favourite passages is from the bottom of page 187.  It is spoken by a Russian cosmonaut, in an earlier (pre-novel) conversation with Michaelmas.

There are walls, walls, all around us, and no honest tang of the wind or the seed of the grass.  We say the walls make us safe, but we fear they make us blind.  We say the roof makes us warm, but we know we lie when we pretend there are no stars.

I really enjoyed reading this book, though not in the same way I have enjoyed most of the other books in this extended, perhaps never-ending reading project.  This one is more introspective.  This is very little action in the traditional sense, though plenty of things are going on backstage.  This is a true adult SF, and though now 40 years old, it perhaps rings truer today than it did in 1977.  Recommended.
**** stars.  Reviewed July 25th/17 

Blood And Burning

 Short stories from a 1978 publication.  Cover artist not credited.

There are 11 stories and a forward by the author, dating from 1954 through 1978.  3 of the stories are long enough to be called novelettes (the first story and the final two).  In addition, Budrys writes a very brief intro to each story.

Be Merry is from 1966, and is 46 pages long.  Aliens need to make an emergency landing on Earth.  Both species end up infecting one another, with nearly 70% casualty rates and no cure in sight.  Two men, an Earthman and and the other a Klarri (alien) are sent to investigate a small coastal town to find out if it is true that the inhabitants are healthy, and if so, what have they done to cure themselves.  This is a very good SF story, and did not end the way I expected.  First contact may not be so grand when it does finally happen.
*** 1/2 stars.  Reviewed August 30th/17 

Wall of Crystal, Eye of Night is from 1961 and is 23 pages long.  It describes some intense competition between video entertainment companies.  It also is a bit like a Weird Tales horror story, though the ending is not catastrophic, or as expected.  It is also the story of three men getting revenge on their various nemeses.
*** stars.  Reviewed Aug. 30th/17

All For Love is from 1962 and is 19 pages long.  A monstrously sized alien ship has landed on Earth, and it doesn't communicate.  When attacked, it retaliates with a vengeance.  There are two plans afoot to ultimately defeat it and make Earth liveable once again.  And there is a love story, too.  Pretty fine writing!
*** 1/2 stars.  Reviewed Aug. 31st/17

A Scraping of the Bones is from 1975 and is 17 pages long.  It is more or less a detective murder-mystery story, and a rather odd but good one.  In the future there won't be much room for everyone, so drastic measures might be needed to expand one's personal space.  The first of two appearances in these stories by Michaelmas.
*** stars.  Reviewed Aug. 31st/17

The Price is from 1960 and is 4 pages long.  The thing I liked most was the short intro by the author, where he talks about one of my favourite authors, James (Jim) Blish.  I found out he was a music lover!  In this story a man apparently lives forever and is indestructible.  The few remaining humans want his secret.
**1/2 stars.  Reviewed Aug. 31st/17

The Ridge Around the World is from 1957 and is 10 pages long.  A farmer gets bothered by new regimes the way we get bothered by flies.  He always seems to outlast them.  Yet another story about a man who cannot die, gradually outliving all of the competition.  His field eventually gets mighty huge.
** 1/2 stars.  Reviewed Aug. 31st/17

The Girl In The Bottle is from 1959 and is seven pages long.  It is a war story, and describes the final battle between humans.  It is a very small and short battle, more of a skirmish, as there are not many humans left.
** 1/2 stars.  Reviewed Aug. 31st/17

The Last Brunette is from 1965 and is 14 pages long.  Think of it as an adult Twilight Zone episode, as it was originally written for Playboy Magazine.  A travelling man has a fatal attraction to brunettes (though he marries a blonde); or is it the same brunette?  Anyway, she keeps improving every time he finds her, until he knows for certain she is out to get him.  A story of a guilty conscience and a man who cannot stay still for long.
*** stars.  Reviewed Aug. 31st/17

Scream At Sea is from 1954 and is 9 pages long.  It is one of the few non-SF stories Budrys wrote, about a man stranded at sea on a raft, with a cat.
** 1/2 stars.  Reviewed Sept. 1st/17

The Master of The Hounds is from 1966 and is 29 pages long.  It is another non-SF story, a mean-spirited type of tale some people like to read.  It's about a famous POW and what line of fun he gets into after the war, looking after a small housing development with his two dobermans.  The ending I think is meant to generate a laugh or two, but I found it too claustrophobic and cruel.  It is a very well-written story; it's just not my type.  There were many ways out of the situation in which the young couple found themselves, but it would likely take a very cool head to figure them out and act on them. 
*** stars.  Reviewed Sept. 1st/17

The Nuptial Flight of Warbirds is from 1978 and is 42 pages long.  This is an odd tale that starts out as a futuristic air war drama, then turns into a TV producer's shot at the big time.  The second appearance of Michaelmas in these stories does not save this one.  Not really very engaging, and things seems to drift too much.  We do learn of the extent of Budrys' love for flying, however.  And that someday there might be a lot of TV channels to watch.
**1/2 stars.  Reviewed Sept. 2nd/17 

Hard Landing

 Cover art by David Mattingly 

From 1993 comes this 199 page SF novel by Algis Budrys, his first completely new one since Michaelmas in 1977.  He had spent time reworking earlier stories.  This one is very good, though it is always difficult for me to suspend disbelief enough for aliens to look exactly like humans.  Once we are past that difficulty, the rest of the novel is a fine one.  In Budrys' defense, he does cite a few interesting examples in nature to make such a thing at least plausible.  There are differences, of course, apparent in an autopsy or close physical exam.  For one thing, the aliens have a warmer body temperature than humans.

Five aliens crash land their saucer on the Eastern Seaboard of the US, landing in a cranberry bog.  One member is fatally wounded and soon dies.  The other four head off in different directions, never to contact one another again.  They are following the rules for such an event as dictated by their society.  Sometime after all five aliens have passed away, Budrys himself gets interested in the case.  The landing took place in the early 1940s, and so he is playing detective and trying to find out what their life was like after that fateful day.

The novel examines the affairs of each survivor, explaining firstly how they escaped the saucer and what happened immediately afterwards.  The story begins to jump back and forth between the four surviving aliens, following them until their death.  Budrys claims to have inserted some guesswork into his writing.  He is taking a course similar to something that P.J. Farmer might do, making us think that the crash really happened and that he really did track down much of this information in later years.  This adds another layer of fun to reading this book.

One of the aliens breaks rules by allowing some of his knowledge to creep into human technology, thus ensuring riches for himself and his Congressman partner.  "Yankee" is the only person who knows for certain that aliens have landed, and he thinks there were only two, one of them deceased shortly after crashing.  However, the other three manage to find out about each other, and have certain limited interactions, adding tension and drama to the story, as well as tragedy.

I really liked the book, though found it pretty short.  It is hard to put down once begun.  I am getting depressingly near the end of my Budrys reading list.  He is a very good writer, and his ideas are original and well expressed.  He cares about his characters, and the details we learn about them make us care about them, too.  Recommended reading.
*** 1/2 stars.  Reviewed Nov. 1st/17 

Page proofread on March 22nd, 2019.
Mapman Mike




Monday 1 August 2016

The Avon/Equinox Rediscovery Series #3: The Reproductive System, by John T. Sladek

Page updated December 5th/17--scroll down to a recent review of Bugs.  17 books reviewed by Sladek in this segment.


     The Reproductive System

 Cover art by Jack Gaughan

John Sladek (1937-2000) is an author that is completely new to me.  He wrote in many styles, mainly mystery and science fiction.  He also wrote under many pseudonyms, including a Gothic novel as "Cassandra Kyne".  He also wrote a book debunking many of the pseudosciences, such as dowsing, parapsychology, and UFOs.  I enjoyed Reproductive System and Black Aura so much that I am now tracking down as much Sladek as I can find!  Results will appear below, eventually.

     This wonderful book is a stark reminder of what is wrong with most science fiction novels and movies, especially the early ones from the 50s.  They are too damned serious and full of themselves.  And that goes for their heroes, too.  This novel would not only have made a great SF flic; it could still be made into one.  The topic is as timely as ever, and the writing, though from 1968 (this reprint is from 1974), could have been written in the fifties or yesterday.  It would be great if made today, in the style of a fifties SF movie.

     Some of the greatest imagery ever penned is contained in this book, especially the scenes featuring a steam train engine, and one with the Eiffel Tower (in space!), among others.  Surrealism lives!  The military is ridiculed (the marines aren't spared), and the CIA is hilariously spoofed, along with its Russian counterpart, the KGB.  The educational institutions aren't forgotten (our hero has a degree from "MIT"), and neither are business institutions.  Listening to a businessman and his son discuss how to get government grants for "research" is probably too close to the truth, though still uproariously funny.  Marriage proposals have never been funnier, and yet just another characteristic incident hearkening back to classic SF movies.  Even the staff room coffee machine is not spared from having fun poked at it.

     The novel is a complete romp from start to finish, and should have you laughing out loud right from the beginning, along with much head shaking and eye rolling.  Behind the laughter, of course, are tears.  Runaway computers taking over missile launch sites, the Pentagon, and other key installations are events that are probably not too far away from us today, and really shouldn't be very funny.  Though we laugh from page one onward, the horror is much slower to creep upon us.  The mad scientist, Smilax, now sounds to us like some of the past mass shooters in America and elsewhere.  Along with the Frankenstein brothers (and let's not forget General Gawk), there has seldom been more horrible bad guys in any fiction.  We laugh at them, but then something nasty gets stuck in our throats.

     John Sladek died in 2000.  I will be tracking down more of his writing, so watch for it here.  I already have his two detective novels(!), and will read them soon.  This interview from 1982 is highly recommended, even if you have not read any of his books.
**** stars Reviewed August 1st, 2016
                                                                                                                                                                   

The House That Fear Built

Cover artist unknown

     From 1966 comes this Gothic page turner by Thomas Disch and John Sladek, writing as Cassandra Knye.  If you ever wanted a novel from this category to instruct you as to what you should include in such a story, then this is the one.  I don't know how many such books these authors read before setting out on their collaborative journey, but it must have been substantial.  They likely had a checklist of what to include.  The story is near perfect, with not a sentence wasted.  The heroine depends only on her husband-to-be for support, and he isn't around very much.  When he is, he never believes what she tells him.  Nevertheless, she sticks by him.

     All his relatives are cruel to her, but still she sticks it out, confident that she can win over everyone to her charm.  Though heroine Nan is just a wee bit too trusting, she is intelligent.  Just not intelligent enough.  So, what else is on the check list?  Mysterious person in the basement, possibly dangerous.  Don't go there no matter what!  However, Nan seems to spend a lot of time down there, snooping.  Swastikas everywhere.  Horseback riding.  A mysterious, handsome stranger, who is also a bullfighter (the story takes place in Mexico).  The grouchiest granny you ever met in your life, and she rules the roost.  A handyman who hates all women.  Poisonous lizards.  Statues that fall off the roof, nearly killing Nan.  An abandoned swimming pool.  Nan is terrified of water, but she seems to always fall into the stagnant pool.  One time she catches cold.  Secret passageways.  A really scary portrait.  A mysterious blonde woman.  Fireworks.

     The climax is so outrageous that I laughed out loud several times.  I have heard that there are people who really like these kind of books, and hang on every word.  My copy was in its third printing when it came out in 1972!  I have never read anything quite like this, so I enjoyed it immensely.  I have read a few mysteries by John Dickson Carr that have some similarities.  The writing is very good, and the novel is hard to put down once you get going.  Strange fun!
*** stars.  Reviewed Feb. 26th/17

The Castle and The Key

Cover art by Jerry Podwil

     From 1967 comes Sladek's 2nd novel, another Gothic howler.  If I had read this novel a few years from now, I likely would have thought it was exactly the same story as The House That Fear Built, above.  But since I read that one just a few weeks ago, I managed to find one or two differences.  Essentially, though, it is the same story, except the heroine in this one is a little denser.  Despite no one liking her, her husband accusing her of poisoning him, getting slapped by another woman, attacked by an animal, her kitten poisoned, and then being treated like an old carpet, she hangs in there.  Why?  Because she loves her husband, of course.  He is an architect, a lord, and such a great guy!

     The dead bodies and the mysteries keep piling up, and the plot moves along like a raging, muddy hillside torrent.  No one doubts Sladek's ability to write extremely well; it is just so surprising to encounter him here (as a woman, no less).  Despite the over-the-top gothic-ness of it all, it is easy to see his future mystery stories developing, Black Aura and Invisible Green.  Those are two very good mystery stories.  And I suppose the two gothic novels are very good gothic novels, too.  Though probably one of my least favourite genres of literature, Sladek kept me reading to the last page.  Of course I laughed out loud several times at the totally outrageous developments, and the heroine's inability to do anything at all except feel disoriented and stunned.

     He obviously worked from a formula he created, though the poor guy likely had to read several of these type of books before coming up with it.  Maybe he read this stuff as a teen, finding it lying around his house.  Scary to think he may have gone out and bought some of it.  Anyway, have no fear of encountering poor writing; this stuff is written to make you turn pages, and it does.  It's just all so silly.  Nowadays the Paperback Library Gothic (look it up on Google Images, etc.) has a cult following.  Even the least of his writing will be remembered long into the future.  Hopefully so will his best.
*** stars.  Reviewed April 4th/17 

Black Alice

From 1968, this strange crime novel was written by John Sladek
and Thomas Disch.  The outrageously racist cover is by Virginia Fritz.

I can understand why Sladek and Disch, both SF writers, wanted this novel to be under a pseudonym.  Written in 1968, it highlights some of the goings on in the American south during the civil rights marches and sit downs.  Right smack in the middle of this mess is the kidnapping of an 11 year old girl.  She is white, and has a large inheritance coming to her when she is of age.  Her captors turn her skin black, cut her blonde locks and curl them so she resembles a black girl.  She wears sunglasses to hide her blue eyes.

Alice is a very intelligent girl, smarter than most of the adults she knows, and is due to skip from Gr. 6 to Gr. 8 in the autumn when she returns to school.  The main part of the story revolves around Alice and the enormous and sickly black woman who looks after her during the ordeal.  Alice is a prisoner in a whore house for much of the story, a situation that is alternately amusing and horrifying.  Bessy is the huge house mother, and her two working women are completely off the wall.  One is a white simpleton with the body of a woman but the mind of a small child, while the other one is a black, man-hating, mean-tempered bitch.  Bessy is a good person, but has been led astray for most of her life.  Her main goal is to raise enough money for a lavish coffin and eternal flame over her soon-to-be-occupied grave.  Alice has to survive in this environment, and her mental health, once nearly ruined by her abusive father, soon suffers a major backslide.

The story is pretty hard-hitting.  I have no intention of giving away the ending, but it did not turn out as I expected.  I found the novel upsetting to read, yet I could not put it down, finishing its 224 pages in two days.  We get a very close look at the KKK and what exactly was happening back then.  Probably only people who grew up during that time can really understand the full horror of what went on.  Alice gets to see a lot of it happen, too.

I've come to know Sladek as a SF writer, a mystery writer, a gothic horror writer, and now a crime novelist.  His pen is versatile, and it can poke deeply into things most people would rather leave untouched.  I had to hunt down this book on the internet, and I am glad I did.  There are many references throughout to Lewis Carroll's version of Alice, some that are amusing, and some that scare us into realizing how terrifying and unsettling life can sometimes be.  This is a hard book to recommend, but if you've read Roderick or Tik-Tok, you will be able to easily handle this one.  Would I recommend it to a black reader?  That's a very tough question.  I know I would very much like to discuss this book with a person of colour.  Recommended with some reservations.
***1/2 stars.  Reviewed May 16th/17

The Muller-Fokker Effect


     From 1970, this is a gut-wrenching book.  As I watch the news unfold from President Trump's first week in office, John Sladek could have easily believed such things would come to pass.  Only three years after riots devastated Detroit and other American cities, Sladek writes this book about hate, racism, fascism, religion, and computers.  I report with great sadness that the messages in the book are as relevant today as they were in 1970.

     Sladek doesn't just devastate the reader, however.  This is not a lecture in how to behave better;  it is one of the grandest comedies ever penned.  Like most great comedies, there is considerably more tragedy than humour, and there is plenty of humour.  An insignificant man gets his DNA transferred to a special kind of computer tape.  The tape is rare and valuable, though no one realizes that Bob Shairp is actually on it.  The tape get split up and used in various different ways, including religious revival and healing meetings, as well as in military deployment software.  The results virtually end the world as we know it.  

     Sladek is a writer like no other.  His SF work contains no aliens, no off-world monsters, no UFOs, or even space ships.  Instead, he writes about humans in such a way as to prove who the real aliens are; us!  He always has funny and important things to say about TV, art, religion (especially religion in this novel), the military, along with many other proud institutions.  He has a way of using dialogue, at parties for instance, that make it sound as if we are passing through a room and catching parts of different conversations.  In fact, to attend one of Sladek's party creations is a real treat, and an experience to be treasured.

     Don't expect a straight forward narrative with Sladek, and don't expect a single reading to cover the bases.  I am already looking forward to re-reading this novel in the near future.  To be honest it seemed to lose focus in the middle, but I'm certain that was just me.  When reading a Sladek novel it is wise to keep a list of main characters handy and a brief description of their role.  Sometimes people go away for a long period, and then suddenly re-emerge.  It's easy to forget exactly who they were.  There are a lot of characters in this story.  They are all important in one way or another.

     Sladek is fast becoming one of my very favourite SF writers, already in the top 5.  His preferred style is chaotic writing, as if a madman had grabbed the pen and began to frantically scribble things down before he was recaptured and had his straight-jacket replaced.  If you can handle it, his works are pure gold.  You'll laugh, you'll cry.  Then you'll cry some more.
**** stars.  Reviewed Jan. 28th/17 

The Steam-Driven Boy

Short story collection published in 1973.

The Secret of the Old Custard is from 1966, one of the earliest things he published.  At 7 pages, it tells the story of Agnes, who finds a baby in her oven, and Glen, her hardly working husband.  When a priest comes to visit, all is revealed!  A tale of cross and double cross, and old custard in the shape of a map.  Classic Sladek, already! *** stars.

The Aggressor is from 1969, and was first published in Amazing Stories.  Its 8 pages tell of the head of a great computer company who must submit to three tests.  It matters not if he passes the first two, but the third one is all-important.  Will "G" figure out how to pass?  The first two tests are hilarious!
*** 1/2 stars.
Sladek's "The Aggressor" was first published here in March, 1969.

The Best-Seller  is from 1966, first published in Strange Faeces. It is 13 pages long, and actually contains 8 short stories, with the last one given a rewrite so the grisly ending could be changed to end happily for the publisher.  Interesting writing, though not SF, it shows how Sladek's mind works very differently from the rest of us writers.  An interesting experiment.  **1/2 stars.

Is There Death on Other Planets?, also from 1966, was first published in Ellery Queen's Mystery Magazine under a different title.  At 10 pages, it is a humourous tale of SF intrigue, as Peter is relentlessly pursued by aliens for his satchel.  *** stars.

The Happy Breed is from 1967 and first published in Harlan Ellison's "Dangerous Visions" omnibus.  It certainly fits well under the heading "dangerous visions"!  What exactly would it be like if everyone was happy?  What would have to happen for it to be achieved?  Sladek has an answer to those questions.  This is a pretty straight-forward story of 19 pages, and is one of the best.  **** stars.

A Report on the Migrations of Educational Materials, from 1968 (Magazine of Fantasy and Science Fiction), is a 7 page story of books that fly south.  Some wonderful imagery, and it would make a fabulous short animated feature.  *** 1/2 stars. 

The Singular Visitor From Not-Yet first appeared in Playboy, 1968.  It is a pretty neat little story (11 pages) about time travel, with a reverse twist.  It is an epistle, with short written letters sent between three old friends.  It would have made a great Twilight Zone episode!  
*** stars.

The Short, Happy Wife of Mansard Elliot, at 7 pages, is from 1971, first appearing in New Worlds Quarterly.  Sladek can write in the driest style anyone could imagine.  I'm not certain of the point of this story, but it is readable and does, in places, make sense.  ** 1/2 stars.

The Momster is from 1969, first appearing in Fantastic Magazine.  It is only 8 pages, but it gives a very good idea of what it might be like to be a "Space Explorer."  Living on a sandy planet with a robot that takes good care of you...  *** 1/2 stars. 

1937 A.D.! was published in New Worlds in 1967.  In 10 pages Sladek gives us a story that once again would fit nicely into Rod Serling's Twilight Zone.  A boy invents a time machine, escaping his 1880s life for the wonders and magic of 1937.  Instead he finds many things exactly the same.  He soon finds the Universal Synopsis in the local library, and gets a lesson in how to change the events of the past.  Olde-fashioned fun, with more twists than a twizzler!  *** stars.

Secret Identity, first published here, is also 10 pages long.  Sladek again unleashes his word madness upon a now suspecting reader.  It's like he suddenly goes off his meds, or perhaps back on them.  We are faced with a (now) typical party scene from the author, and all of the madness that usually ensues does.  It could be a scene from either Roderick or Tic-Tok, which had not yet been written.  Plays on words and constantly evolving situations are more important than plot in this story.  Perhaps not as manic as his later stories would become, but some readers will certainly feel challenged by the end.  Though I find Sladek refreshing, a full-time dosage of this sort of thing could kill me.  *** stars.

The Transcendental Sandwich, first published here, is 7 pages of coherent SF about an alien race purporting to want to help humans become smarter.  Their methods work quite well, as Claude Mabry, a man with limited interest in learning and books, soon finds himself a voracious reader and one of the world's smartest men.  Before he begins each new lesson, he has to eat a particular sandwich that comes packaged along with the books.  Great fun, and the last line of the story is one of the funniest I have ever read.  *** 1/2 stars.

The Steam-Driven Boy, first published here, gives an excellent illustration of the depth of Sladek's imagination, and his skill in handling it in words.  Once again time travel is involved, as opponents of a particularly unlovable President (who surrounds himself in the White Fort with millions of heat-seeking missiles) try to go back in time, kidnap him when he is a boy, and thus avoid his becoming president.  Such a good plan; how could it possibly go wrong?
**** stars.

The Parodies
There now follow 10 short stories by Sladek parodying the works of 10 famous authors... 

The Purloined Butter, by Edgar Allen Poe, is a 3-page mystery filled with creaky atmosphere, along with Sladek's dry wit.  It's easy to tell that his mystery novels are on the horizon.  ** 1/2  stars.

Pemberly's Start-Afresh Calliope, by H. G. Wells, was first published in New World Quarterly in 1971, and is 9 pages long.  Pemberly constructs an instrument that appears to make his life much more interesting.  He decides to pass it on to a friend when he dies.  Some gift!  *** stars.

Ralph 4H, by Hugo Gernsback, is a 5 page attempt to pay tribute to the man after whom the HUGO SF Award is named.  Sometimes called the father of SF, Gernsback wrote SF novels (including Ralph 124C 41+, from 1911), founded several SF magazines, and was an inventor.  I have not read any Gernsback (one is up-coming in the Avon/Equinox Series!), but what I have read about his stories convinces me that Sladek has made the most of a writer who seems to parody SF and invent it at the same time.  In the title area, Sladek awards the writer the 1911 Hugogre Award!  ** 1/2 stars.

Engineer to the Gods, by Robert Heinlein, spoofs the famous author in this 6 page story.  There are girls in bikinis, lots of major engineering feats, and a trip to the moon.  It all ends in a happy marriage.  *** stars.

Broot Force is by Isaac Asimov, and is a 5 page reproval of the famous author's 3 rules that robots must follow.  Sladek always made it a point in later books to rip apart the 3 rules, and he begins well here.  A very funny story, with some wonderful use of language.  *** 1/2 stars.

Joy Ride purports to be by Ray Bradbury, and is actually quite a touching tribute to the author.  The story can be taken as a parody, but works just as well as a minor story by Bradbury.  *** stars. 

The Moon is Sixpence, by Arthur C. Clarke, is a three page story of one of the world's best kept secrets.  Amusing.  ** 1/2 stars.

Solar Shoe Salesman is by Philip K. Dick.  For several of the parodied authors Sladek rearranges the letters of their name and creates new ones from them.  Some of the funniest rearranging one could ever imagine comes out of this 8-page story, divided into 14 chapters.  How about Chipdip K Kill?  Or perhaps Killhip D. Pick.  Or even H. K. (Kid) Cliplip.  Too funny!  Two shoe companies rule the planet.  The activist protestors are barefoot.  There are auto-gyros.  Great stuff!  *** 1/2 stars.

One Damned Thing After Another is by Cordwainer Smith.  In its 6 pages we land on the planet Chicago, and visit the Shrine of the Seventh Type of Ambiguity, and also the Venn Diagram Lakes.  The hero riddles an old computer, stumps it, and receives a secret in return.  The riddle has to be one of the funniest ever written, and is a wonderful spoof on such things.  ("What has one leg in the morning, four legs in the afternoon, and three legs in the evening, and when is a door not a door?")  I laughed out loud at the answer.  I also loved the assistance given by the budgieman.  The bad guy had destroyed the hero's family.  The way the wife and two kids were murdered also ranks as among the most humourous demises in literature.  But the hero's revenge is sweet.  Even the computer seems pleased with things.  **** stars.


The Sublimation World, by J.G. Ballard, was published in 1969 in the Magazine of Fantasy and Science Fiction (a Ballard story is coming up later in the Avon/Equinox series).  There are bright colours.  There are pterodactyls.  There are strange, nearly empty landscapes.  There is a mysterious ending.  Sladek's last sentence is also one of the most poetic and beautiful endings to any story I have ever read.  *** stars.

Black Aura

From 1974 

     John Sladek was a versatile writer.  He wrote two mystery novels starring amateur detective Thackeray Phin, along with two short stories.  I have the two novels, which will be reviewed here, and will try and track down the short stories.  I am also hunting down more SF by Mr. Sladek.  Even if you are not a fan of mystery novels, this one is a must read.  In the 70s, one of Mr. Sladek's hobbies was writing about the occult, and debunking its mysteries.  He is an expert in the field!  All of this information comes in very handy in Black Aura, the tale of an occult society.

     We get the inside scoop, as the detective is invited to take up residence by the head psychic, Mrs. Webb.  She asks Phin to try and discover who has been taking money from the accounts.  Three or so murders later, Phin is on to the culprit!  This is such a delightful book!  Fans of the Sherlock Holmes stories will certainly enjoy following Phin as he gains clues and knowledge.  His daydreams are a highlight of the novel.  Though not as laugh-out-loud funny as Reproductive System, there are enough laughs to keep both non-mystery and mystery fans engaged in the story.

     Sladek also wrote and published two clue books, where the reader has to try and solve short locked room mysteries with only the given clues.  I used to like these kinds of books, and perchance even had one by Sladek at one time.  Several, if not most of the mysteries in the novel are of the locked room type.  The black aura of the title refers to the aura around a person just before they die.

     The amount of detail that the author reveals about the inner goings on of such an occult society is indicative of how much research he did on the subject.  He undoubtedly lived with such a group at one time, while researching his debunking books.  He lampoons the entire set up, but the vegetarian meals served at the house are always a highlight (note, I am a vegetarian, and found the topic treatment absolutely hilarious!).

     For mystery novel fans, this book is a keeper.  For John Sladek fans, this book is a keeper.  For casual readers who don't like either SF or mystery novels, it's still a keeper!
*** 1/2 stars.  Reviewed August 9th, 2016
 

Invisible Green

 Cover art by Laurie McBarnette

     Thackeray Phin makes his final appearance (1977) in this wonderful murder/mystery novel, solving one of the most puzzling cases ever penned.  Sladek is a genius at devising and executing murder plots, and we are only too happy to tag along for the adventure of a lifetime.  Too bad that Inspector Gaylord is such a dunce in this novel--by now he should know better than to doubt Phin.

     Who is murdering the members, one by one, of the Seven Unravellers, a group of fans of murder in fiction?  Phin has no idea, and neither do we.  Sladek is witty, as usual, and very forthright in giving out clues, though he is sly enough to keep us guessing till the very end.  Even though he wrote only two mystery novels (and the two Phin short stories in Maps, below), he is easily one of the finest of the bunch.  If only Phin had caught on with readers in the 1970s we might have had many more stories in this unbeatable series.  Alas, mystery writing was not selling well, and he turned his attention to SF.

      This is a must-read for mystery fans, and certainly for Sladek fans.  Great writing and so much fun to read!  
*** 1/2 stars.  Reviewed Sept. 24th/16

Judgement of Jupiter

 Actually penned by John Sladek, published in 1980.

John Sladek, one of my heroes, has written a pseudo-science book of the worst kind.  It is the kind where one searches for evidence to back up certain theories, such as Jupiter aligning with Pluto, which can affect nearly everything that happens on Earth, and then completely avoiding any evidence to the contrary.  This, from a man who spent so much time debunking mediums and astrology, suddenly writes a book supporting nearly every crackpot theory ever stated.  Hoax?  Yes, of course, but in very bad taste and written with too much earnest.

I really started to groan when he talked about full moons and their affect on people.  How many times does a theory such as this resurface, and have to be debunked?  I was a grade school classroom teacher for 29 years.  I am an avid amateur astronomer.  When I say I would have noticed odd behaviour in children during full moons, I mean it.  After a particularly nutty school-wide day, other teachers would of course try to blame a full moon.  "Um," I would reply, "that's not for another week."  And again, "No, sorry, that was last week."  Not surprisingly, about once in 20 times (the number of school days in a month) it would co-incide, and I would never hear the end of it.  As for Pluto influencing anything except perhaps its moon Charon, what can I say?  NOT!  He even sites Nostrodamus, and makes dire predictions for 1999.  Remember those?

I am not going to waste any more words on this book.  I thought perhaps when I bought it that Sladek would humourously debunk the myths perpetrated in here.  But he supports them quite enthusiastically.  Avoid this book, please.  A few parts are okay for the time, as he summarizes what was known then about the planets.  I'm not a really big advocate of burning books, but this one just might make decent kindling in the near future.  Even if it was written apparently as a hoax, he went too far here, purposely leading dummies over the cliff edge, just because he can.
* star.  Reviewed July 22nd.

Keep The Giraffe Burning

 Cover design by Juha Lindroos

This collection of unusual short stories was first published in 1977.  My edition is from 2004.  There are 17 stories in the volume, plus a forward by Sladek and an afterward by our good friend Cassandra Kyne (see reviews of Gothic novels, above).  As the collection title might indicate, there is some Surrealism involved in these stories.  From Sladek's intro:
    "Probably what was wrong with Surrealism all along was that it got defined precisely and interpreted exactly.  Nothing can stand up to that."
Opening a book like this and beginning to read is a bit like having your oxygen content suddenly adjusted to a level you are not used to.  Some dizziness may occur.... 

Elephant With Wooden Leg is classic Sladek.  It is bewildering, and not in a mild way.  First published in Galaxy (June, 1975), the story is 14 pages long.  It doesn't help to read this when you are tired, just before turning out the light for the night.  So read it twice.  Ah, that... helps.  But only by a slight amount.  A group of scientists, driven mad by their work, come up with a plan to send cockroaches into space.  This is a very funny story, and only marginally sane people will likely enjoy it.  After reading, flip to Kyne's Afterward, at the very end.  
*** 1/2 stars.

The Design is from 1968, and is only 3 pages long.  Surely you can last three pages, yes?  Make this a test, to see if you can.  After viewing the diagram at the conclusion, read the story again.  Ah!  Now it makes so much more sense.  Doesn't it?  
*** stars.

The Face is 8 pages long, and never before published.  It is one of the more coherent stories.  A face is discovered on a hill in a park.  The plot doesn't sound like much, but it results in a pretty big event.  
***1/2 stars.   

The Master Plan is from 1969, and is 13 pages.  This is very good experimental writing.  9 different fonts are used to tell the story from a different perspective.  The actual story is about a dying, cancer-ridden general who is attempting to finish his master plan before he dies.  As he nears death, the narrative makes less and less sense.  A fun little story to read.
*** stars.

Flatland is 5 pages long, and is from 1973.  I have a few favourite moments in this strange little tale, including the gypsy fortune telling, and Bill, summing up for the defence.  Lots of good parts to chew on here.
***1/2 stars.

A Game of Jump is published here for the first time.  It is written using only a 307-word vocabulary (see author's footnote at bottom of first page), and is 7 pages long.  Think of it as a Surrealist soap opera, in colour, with limited vocabulary.
*** stars.

The Hammer of Evil is from 1975, and is 7 pages long.  The story subtitle is "Career Opportunities at the Pascal Business School."  A few classic lines from this entertaining story of two men imprisoned by aliens:  "I begin inventing the past, as it really was."  "I was investigating a murder--or its opposite, really."  "The train wheels begin to scream.  I know what's happened: the tracks are getting narrower as we near the horizon."  Sladek tells a story of two men escaping their cell (in an ingenious way, of course) as aliens and paradoxes surround them.  Superlative writing.
**** stars.

The Locked Room is only five pages, and from 1972.  I have come to really enjoy Sladek's mystery writing (see below), and he is a master at the locked room variety.  In this amusing tale, famous private detective Fenton Worth comes up against the ultimate version of such a mystery.  Can he solve it?  You bet.  But will it avail him any?  The ending is very funny, and the last word in locked room mysteries.
**** stars.

Another Look is 3 pages long, and is from 1975.  A robot survives the final holocaust, and muses upon things as he flips through old books and comics.  A very introspective story.
*** stars.

Space Shoes of the Gods:  An Archeological Revelation:  First published here, this biting piece of satire is 5 pages long.  Responding to books of the time such as "Chariots of the Gods," Sladek is at his most caustic in these pages.  In addition to writing fiction he also wrote a book debunking mystics, ESP, and the like.  The pen really can be mightier than the sword.

The Poets of Millgrove, Iowa is from 1966, and is 5 pages long.  An astronaut is honoured by the small town where he was born.  At least for a short time.
*** stars.

The Commentaries is also 5 pages long.  It was published in 1969.  This is a brilliant essay on criticism, featuring 5 different critics writing reviews, including a fictional review of this story.  Great fun!
***1/2 stars.

Heavens Below: Fifteen Utopias is 8 pages long, and published in 1975.  There are 15 very short stories in this chapter, most of them more brilliant than anything ever written.  Very funny stuff!
**** stars.

Scenes From Rural Life is 14 pages, and is from 1975.  Another near-nonsense story, this one about keeping farm animals fed with a little help from city folk.  Avante Garde writing at its purest.
*** stars.

The Secret of The Old Custard pits a husband and wife against Diaper Man and his evil accomplice.  Published as The Babe in the Oven in Nov. 1966, it is an unforgettable 5 pages long.
***1/2 stars.

Undecember is 6 pages long, and was published in 1976.  Welcome to a random month with random days, courtesy of John Sladek.  I mean, why not?  Sounds like a great idea.  Definitely a nod here to Lewis Carroll.
*** stars.

The Great Wall of Mexico is from 1973, and, at 23 pages, is the longest story in the book.  It is also arguably the best.  It is divided into 4 sections, each with sub-chapters.  It is astonishingly timely, as the current US president was voted in recently for saying he would build such a wall.  This story needs to be republished now, and its hard-biting satire given to new generations.  A masterpiece of writing.
**** stars.
Reviews finished June 14th/17

Alien Accounts

 Cover design by Gary Nurrish.
First published in 1988, my copy is from 2005.

Another collection of short fiction by John Sladek convinces me that everything this man writes is unusual and difficult to categorize.  I love his fiction, and am saddened to see my reading list of his work growing very short.  There are 8 works in this collection, with the first and last ones being novelettes.  There is also a short introduction by the author.  If you were ever ten years old and read books with titles like "My 5th Grade Teacher is an Alien," then you will be able to relate to this collection.  Think of it as a "My Boss and Co-workers are Aliens" and you will begin to understand where the reader is headed in this volume.  Have fun!  Note: No real aliens were encountered in the reading of this book.

Masterson and The Clerks was first published in 1967, and is 36 pages long.  Henry C. Henry goes job hunting, and lands a clerk's position working for Mr. Masterson.  The book begins light and fluffy and very humourous, and gradually works its way down to the beaurocratic bottom of the mud-filled pond.  Some incredibly rich writing enlivens this not-to-missed tale, written for anyone who has every had to handle paperwork or fill out forms.  Here is part of a boss's memo, stuck on a bulletin board, entitled My Childhood:

     ...My mother I hardly remember, except as a ghostly figure standing silent by the electric kitchen range, almost an aura thrown off by the back burners.  She liked to stir things.  To my knowledge, she never spoke. 

That is a very small sample of classic John Sladek writing.  I loved this story, which seems to be a combination of Dickens and Kafka.
**** stars.  Reviewed Aug. 28th/17.

New Forms is 5 pages long, and is from 1968.  We are presented with 4 forms created by the author, and one table.  I especially like the Poetry Itemization Form, and the Character Simulation Form.  Too funny!
*** stars.  Reviewed August 28th/17

198-, A Tale of 'Tomorrow  is from 1970, and is 4 pages long.  It's a bit like reading a section of a Hugo Gernsback novel.   Note that in John's collection entitled The Steam-Driven Boy, he does dedicate a story to Ralph 124C!
**1/2 stars.  Reviewed August 28th/17.

Scenes From The Country of The Blind is from 1976, and is 13 pages long.  It was published in a collection of stories entitled A Book of Contemporary Nightmares.  A very catchy title!  This is one of Mr. Sladek's rare normally written stories, having to do with three scientists working at ESP experiments, and a sceptic who accepts nothing at face value.  If you have read Sladek's Black Aura or Invisible Green, above, you already know that the author is a master at locked room mysteries and such.  Where one man sees psychic things happening, another man explains things from a rational and scientific angle, as would Sherlock Holmes.  A very good story.
*** 1/2 stars.  Reviewed August 28th/17

The Interstate is from 1971, and is 11 pages long.  This is my nomination for the best short story ever written!!  Seriously, this tale of a man taking a bus to a resort for his annual two-week summer vacation goes beyond what I ever thought possible for short fiction.  Do not miss!  This would make the best Twilight Zone episode ever created!
**** stars.  Reviewed Aug. 28th/17

Name (Please Print): is from 1973 and is 6 pages long.  It is a modern horror story about a man who cannot prove he exists.  A series of events has conspired to erase his name from the annals of legal existence.  No birth certificate, no baptism certificate, etc. etc.  Without the proper forms, we are nothing.
*** 1/2 stars.  Reviewed August 29th/17

Anxietal Register B is from 1969, and consists of a 7-page form to fill out.  Sladek hits many nails on their tiny heads with this one.  You may even fill it out if you so wish.  Extra sheets may be attached.
*** 1/2 stars.  Reviewed August 29th/17

The Communicants is also from 1969.  At 46 pages, it is the longest story in the collection.  It is also the most disappointing.  It has clever lines, fun words (and word lists), silly, nearly meaningless characters, quirky and oddball situations, humourous turns of phrase, no plot.... in short, everything one comes to expect from a John Sladek story.  Except this one runs far too long, goes nowhere, and becomes a chore to finish reading.  The overall effect is of someone off his meds trying to meet a writing deadline.
** stars.  Reviewed August 29th/17

The Lunatics Of Terra

 Originally from 1984, but republished in 2005

The Sladek I have come to know and love is back with 18 more short stories, written between 1973 and 1984, including several first published in this collection.  The author writes a short afterword to each story, some of which are helpful in understanding how they came about.  Others are like more short stories, and some are very funny.  I always look forward to new (for me) books by Sladek.

The Last of the Whaleburgers is from 1984, and was first published in this collection.  It is 8 pages long.  It is the hilarious story of a couple (a couple of what we never really learn) working through their marriage and rediscovering their love for one another, even though they only get to see their children once a year.  This might be the funniest short story I have ever read, and the one with the best opening line.  A classic!
**** stars.

Great Mysteries Explained is from 1982 and is 3 pages long.  4 great mysteries are tackled in a fashion only John Sladek could tackle: who killed Kennedy; is the Turin shroud genuine; can humans be cloned; and is there intelligent life anywhere in the universe?  All answered in just a little over 2 pages.  Written for Asimov's SF Magazine, I'm sure at least that scientist got quite a chuckle from this.  Two laugh-out-loud stories in a row!
*** 1/2 stars.

Red Noise is from 1982, and is 8 pages long.  A non-musician (Sladek) writes a story about music.  A genius producer figures out a way to create music from dead recording artists, to keep the money rolling in.  His method works well, but then he wants to take things a step further.  Sladek, the great murder-mystery writer (see above) gets to unmask a murderer and put his evil deed to good use.
*** stars.

Guesting is from 1982, and is 9 pages long.  This is perhaps the first actual living alien I have ever come across in reading Sladek, whose SF is better described by the title of this little volume of short stories.  After being worked on by military intelligence, they decide it's time to break it to the world that aliens exist and that one of them walks amoung us.  They set up a guest spot on a TV show.  However, at the last minute the alien is pulled from the show and replaced by a mass murderer, who will get better ratings.  A very funny look at ourselves, as is usual from the author.
*** 1/2 stars.

Absent Friends is from 1984, and is 7 pages long.   A robot raises a glass to absent friends, and tells a tale to the bar crowd.  Origianlly planned as a small section of Tic Tok, instead it became a stand alone story.
** 1/2 stars.

After Flaubert is from 1976, and is 5 pages long.  Imagine if John Sladek had just finished reading some books by the French author, then wrote a short story loosely based on his style.  Voila!
*** stars.

The Brass Monkey is from 1976, and is 9 pages long.  Skinner behaviourism is now used by the government to control things like crime.  It really works!  However, sometimes there are a few brass monkeys that just won't conform.  A disturbing tale of a possible future.
*** stars.

The White Hat is from 1984, first published here.  It is 7 pages long.  For the second time in this book, there are aliens!  These creepy little things like to ride humans like horses, as well as watch westerns on TV to learn how to act.  Pretty strange stuff, even by Sladek's standards.  In his afterword he claims that animal rights were part of the reason he wrote this story.  Funny but very scary, too.
*** stars.

The Island of Dr. Circe is from 1984, first published here.  It is 6 pages long.  More or less a traditional SF or weird tale, a man is taken to the island of Circe to see for himself if it has any bearing on the Homer legend.  It sort of does, though he returns from his mission with no proof of its existence.  I'm not used to "normal" stories from Sladek, even though this one is pretty good and fairly creepy.
*** stars.

Answers is also from 1984, and is 15 pages long.  Tiny life forms evolve from computers and calculators, causing humans to turn into zombies that only stare at their screens, virtually forgetting about any other aspect of their lives.  Sound familiar?  Sladek could have written this last year about smart phones.  A very good story, and quite scary.
*** 1/2 stars.

Breakfast With The Murgatroyds is from 1978, and is 7 pages long.   A typical family (in the world of John Sladek) sit down together for breakfast.  Every family should be so close.
*** stars.

The Next Dwarf is from 1979, and is 11 pages long.  An alien visits Earth, trying to puzzle out the meaning behind the Seven Deadly Sins.  Similar to Guesting (above), in his afterword Sladek explains that the two stories are related but somewhat opposite.  Either way, Earth does not appear to be a very good planet to visit.
*** 1/2 stars.

An Explanation For The Disappearance Of The Moon is from 1982, and is 6 pages long.  Wherein the author ponders the relationship between the moon, the Celts, and money.  And perhaps music.  He also proves there are no ellipses, and no circles.  It all ends in murder.
*** stars.

How to Make Major Scientific Discoveries at Home in Your Spare Time is from 1984, and is 4 pages long.  There are sections dealing with solar energy, mathematics, archeology, exploration, quark medicine, philosophy, and evolution.  Typical Sladek hilarity.
*** stars.

The Kindly Ones is from 1973, and is 6 pages long.  A man sees his doctor for a number of minor ailments, which keep on coming and adding up.  The afterword is worth the price of the book.
*** stars.

Fables was first published here in 1984, but were written much earlier.  In 3 pages there are 4 fables and an afterword.
** 1/2 stars.

Ursa Minor is from 1983, and is 11 pages long.  First published (1983) in Rod Serling's Twilight Zone Magazine, this would have made an appropriate entry in the TV series.  A teddy bear gets a lot of attention from the dad who doesn't remember where he got it, but it gets given to his young son as a Christmas present.  Nice and creepy, the story ultimately flounders.  Even in the afterword, Sladek gives his two reasons why the story fails.  My reason is different--no one's lives are ever in jeopardy, especially the little boy's.  The bear is damn scary, though.
*** stars.

Calling All Gumdrops is from 1983, and is 8 pages long.  Roles are neatly reversed as parents are looked after by their children, and treated as children themselves.  Pretty cool!  It would make a very unsettling bedtime story for a child of ten or eleven years.
*** stars.  Reviews completed October 30th/17

RODERICK

 Cover art by Chris Moore

There is considerable confusion regarding editions of the two novels contained within this omnibus.  Just make certain that you are getting the "complete" Roderick, and not the failed attempt by an American publisher to turn in into a trilogy.  Then they only published one-third of it!  The first novel, and the one being reviewed here, is called Roderick, or The Education of a Young Machine (1980).  The American version only contains 17 of the 26 chapters, so beware.

And quite a unique education it is, tooRoderick, in his early years, watches a lot of television.  He is a robot that learns, much like a human, though with a mind that remembers everything and anything.  He attends public school, and then Catholic School.  He is kidnapped by gypsies and enslaved in a carnival.  The steadying influence in his life through all this is Ma and Pa, who adopt him and look after him.  That is pretty much the plot.

However, the magic that Sladek creates to tell the story is quite incredible.  Much of the same humour that we saw in Reproductive System returns full bore, and again we cry as we laugh.  Too much of Sladek's absurdist views are not that absurd at all.  There are too many highlights (and lowlights) to mention even a tenth of them.  Highlights for me were the conversations Roderick has with Father Warren, in his office at the Catholic school.  The I, Robot discussion is the best of all!  Sladek comes back to the story again later.  Not the Asimov tales, but the original one that influenced him (by Eando Binder, actually two brothers), and we are led to believe that Ma and Pa might have written it.  Roderick eventually finds a copy in the attic, amidst many other revelations near the end of the first book.  I also love any scene with Ma and Pa.

Lowlights for me were the lynching scene (and subsequent killing of Dr. De'Ath), Roderick's life at the carnival, and anything to do with formal school.  Though sometimes very funny, the laughter is often very bitter.  Sladek spares very few people and organizations from his caustic wit, and really seems to have it out for medical doctors.  What Roderick has to go through is probably what any really intelligent kid has to go through in life.  In a bit of a revelation, at one point the conversation goes like this...

      Finally Ma said, "So.  You don't like people much.  I didn't know."
     [Roderick replies] "I like you and Pa."  After a pause, he added, "And almost anybody else--only one at a time.  But when you get them all together, people are so--weird, Ma."
     "You'll get used to them..."

It's difficult to recommend a book that has so many depressing scenes and characters.  But that is life a lot of the time, isn't it?  And somehow we do get used to it.  But when we see bad things happening to someone (or thing) that is totally innocent, it can affect us deeply.  Sladek makes things more palatable with his incessant dark humour.  And (spoiler alert), nothing too bad really happens to Roderick, though he sees and interacts with the worst of humankind.  Lucky for him he has Ma and Pa.  Everyone needs a Ma and Pa, but not everyone has one.
**** stars.  Reviewed Oct. 31st/16

PART 2; RODERICK AT RANDOM,

or The Further Education of  A Young Machine (1983)


There is a very deep melancholy that pervades both novels in this remarkable series.  Roderick the Robot lives in a very chaotic world, and is being hunted down by the government (to be destroyed) and by a large corporation (to be enslaved).  Roderick has no one who understands and cares about him, though he does have a small ragtag band of friends whom he sees off and on.  He is always questioning not only himself, but the motives of those around him.  He seems to encounter only the dark side of humankind, or the ultra quirky.  He longs to find somewhere he can fit, a place where he can be comfortable, happy and productive.  Essentially, he wants to be human but doesn't know what it entails nor how to progress.

All the way through the books we feel for Roderick, like a really good kid that somehow gets left behind, or is so misunderstood that his life becomes sheer misery.  Roderick never complains, however, and carries on as best he can, until he finally cannot deal with events any longer.  Granted, these "events" are disasters magnified by the author, that Roderick seems to always be amidst, much like Charlie Chaplin in "Modern Times."  Sladek tries his best to keep things humorous, and he does a fantastic job.  But after a while the laughter becomes painful, and we begin to really worry about what will happen to Roderick.

Some people will find Sladek's exaggerated characters, situations, and over-the-top satire too much to bear.  Why can't Roderick find someone who can understand him for what he is--a robot??  The ending, without giving anything away, is perfect, possibly the best ending to a SF novel ever.  Is our world really as crazy as Sladek makes it to be?  If you think not, then you need to look around a little more closely.  It can be bearable if you have someone who understands you and can share life and its events with you.  But it is not so easily done alone, especially if you have no real purpose or guide.  Suicide rates are not sky high because Sladek is exaggerating, but rather because the world seems a rather hopeless place to many people, a lot of them quite intelligent.  Though his characters may be a little more ridiculous than those in "real life", his essential message remains solid.  Humans are warped beyond repair, and there is little hope for our planet and an ethical solution to its biggest problems if things continue on the same path.  Corporations and madmen rule.  Sladek does not trust government or corporations.  Today, what is left besides these two choices??

As the 2nd book gets closer to the end, the discussions about artificial intelligence get deeper and deeper.  These books were written over 30 years ago, and our current total acceptance of robot "slaves" is now complete.  We have not reached the enlightened stage of development where even highly intelligent animals have worthwhile rights, so I doubt even a rudimentary version of AI can expect very much from us.  We can laugh, we can cry, but the world marches on to its inevitable doom.

I loved both books, though they are at times very painful to read.  And they are still the best thing ever written about robots becoming human.  
 **** stars.  Reviewed Nov. 23rd/16

TIK-TOK


Published in 1983, this is the next book written by the author following his second Roderick novel, published in the same year.  That makes three robot novels in a row.  Obsession?  It won him a major SF award in 1984.  This is one unbelievably strange book.  I was hooked from the first few pages onward and could not stop reading (and laughing).  It is the blackest book I have ever read, with the blackest humour I have ever come across.  It is a minor miracle that this novel ever reached publication.  Today I don't think any publisher would touch such a story.

Whereas Roderick tells the tale of a hapless robot searching for meaning to its existence, one who is used, misunderstood, and bullied relentlessly (and it's still very funny, too), Tik-Tok is the story of a robot who knows exactly what it wants and how to get it.  Continually tearing away at Asimov's "I, Robot," Sladek gives us one of the most violently psychotic characters ever created in fiction, if not the most psychotic.  And it is very, very funny.  Cape Fear may have told of a similar character, but it is not a very funny story.

Like much of Sladek's SF writing, the tale is so absurd and brilliant as to almost defy examination.  Every page has examples of some of the strangest writing I have ever come across. 

In the awful art gallery on the ground floor were now 'Brass Rubbings of Serbian Radios' along with 'Mouth Paintings to Jazz: a Retrospective.'

 Or this:

 The scholarly-looking Jack Wax, wanted for engaging in illicit sexual behavior with telephone poles, seemed harmless enough by comparison with Sherm Chimini, the 'Armpit Rapist.'

 The character of Tik-Tok the robot, named after a robot character from the Oz books, is certainly one that you will never forget once you have met him.  From plantation slave to candidate for Vice President of the USA, his life is a pretty interesting one.  And as his story develops, the reader begins to see why he is how he is, and why humans are such "shit bellies."

If you do not "get" really really black humour, then stay as far away from this book as you can.  It will give you nightmares and make you hate the author.  If, on the other hand, black humour feeds your soul, then you are in for possibly the best read of your life.  Not to be missed.  
**** stars.  Reviewed Dec. 25th/16

 BUGS

 Cover art by Paul Sample 

Despite the very manic cover, Mr. Sladek has toned things down considerably in this novel from 1989 (my edition is 1991).  Its 224 pages are certainly Sladek at his best, but he has toned things down by about 33%, making the story accessible to more readers, though not in any way disappointing any loyal fans (like me).  Dave Barry or Bill Bryson have not skewered America any better than John Sladek.  By the time America is finished dealing with Manfred Evelyn Jones (Fred), a British writer who came over on the advice of his agent, he is a broken man in more ways than one.

As with most Sladek novels, the hero, whether man or robot, is put through more severe tests than the Biblical character Job.  The plot matters little, though I will recap it very briefly.  Fred soon leaves New York disillusioned and broke, and his wife returns to London.  He moves to Minneapolis and becomes involved in several hare-brained adventures when he is hired by a suburban company to help make a soldier robot for the army.  Fired, hired, fired again and rehired, Fred trudges on stoically, becoming involved with the KGB, a feminist agent who hates his guts, and the boss's wife.  And the robot.

The robot's personality is not fleshed out nearly as much as in Roderick or Tik Tok, but we learn enough to understand what it is going through.  Programmed by a psychopathic human, its action soon become all too familiar.  Through the eyes of Fred we get hilarious and unforgettable glimpses of America, from the New York subway and Minneapolis bus system, to shopping malls and fast food, and especially TV news.  The satire is non-stop, and virtually every page has some gleaning of truth to it.  Written almost 30 years ago, it is quite apparent that things have gotten much worse since then, as American social habits continue to decline and spread across the world.

I loved this book, and only wish the author was around today to write an even more scathing one, if that is possible.  If you found his other books too difficult to get through, this might be a better lead-in to his unique writing style and his humour.  If you don't like this one, you will not likely appreciate his other ones, though the two Roderick novels, The Reproductive System, and Tik Tok are somewhat better, for all their manic insanity.  Highly recommended.
***1/2 stars.  Reviewed December 5th/17

Maps

  From 2002

 What a wonderful and amazing book this turned out to be!  I originally tracked it down because it has the two short stories Sladek wrote featuring Thackeray Phin, the private detective.  I enjoyed his Black Aura immensely, and have his second detective novel on the back burner, reader to go.  However, I wanted to read about Phin's first case, published in 1972.  Sladek entered a contest sponsored by the Times of London, winning it with "By an Unknown Hand," a locked room mystery that Sladek is unbeatable at.  Also included is an even shorter mystery starring Phin, "It Takes Your Breath Away."  I am glad I found these two stories, and enjoyed them immensely.

     However, the book is filled with other treasures, many of 1st magnitude, that proves he was not only a great writer, but someone who was comfortable in many genres.  There are enough SF stories to keep fans interested, but there are other mysteries, some avant-garde writing, poetry, some hilarious short plays, and other stories that defy categorization.  The book is divided into sections as follows:  Stories, Mostly--21 short stories, including the harrowing "Blood and Gingerbread," a retelling of Hansel and Gretel that is disturbing enough to give one nightmares.  Poems and Playlets--14 delicacies here!  Sladek Incognito--some impossible to find stories he wrote under other names (8 stories).  Sladek and Disch--11 stories co-authored, many of them very funny and worth more than one reading.  Sladek on Sladek--5 essays by the author.
     This book was a great find, and will likely be read more than once.  I am now on the look out for more of this great man's writing.  
**** stars.  Reviewed Sept. 12th/16

 Page proofread March 21st, 2019

Mapman Mike